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Glamour UK has published a retrospective of Catherine Zeta-Jones’ beauty looks, focusing on photographs and red-carpet appearances from the 1990s and 2000s. The feature highlights recurring smoky eyes, defined black liner, polished hairstyles and statement lips; the supplied source text cuts off during its 2010s section.
Glamour UK has published a retrospective of Catherine Zeta-Jones’ hair and makeup looks, charting the actor’s style across decades of film premieres, awards appearances and other public events. The report identifies recurring features—including smoky eyes, black liner, sculpted hairstyles and statement lips—and presents selected looks as inspiration for readers planning a special-occasion makeup or hairstyle.
The retrospective begins in the 1990s, when Zeta-Jones became widely known in the UK through the television series The Darling Buds of May. It revisits contrasting images from that period: a vintage-inspired look with curled hair and red lipstick in the video for her 1992 song For All Time, and a more contemporary combination of a graphic half-up hairstyle and grungy eye makeup. The report also points to her face-framing layers at the 1997 Men in Black premiere and a low bun at the 1998 Mask of Zorro premiere.
For the 2000s, the article connects the looks to Zeta-Jones’ film and awards appearances, including her Oscar-winning role as Velma Kelly in Chicago. At the 2003 Academy Awards, it says she wore a centre-parted chignon, defined eyes and a brick-red lip. Other examples include shimmery green eye makeup at the 2003 premiere of Intolerable Cruelty, a loosely curled hairstyle and smoky eyes at the 2004 premiere of The Terminal, and a shorter, curly hairstyle for an Elizabeth Arden campaign that year.
The report also highlights experiments with colour and shape: purple and teal smoky eyes in 2005, a sleek beehive and curtain fringe at Glamour’s 2006 Women of the Year awards, and midnight-blue eye makeup in 2008. At the 2009 awards, Zeta-Jones paired navy eye shadow with an updo. These are Glamour’s selections and descriptions, not a complete record of her public appearances or a new statement from the actor.
A Recurring Red-Carpet Beauty Signature
The retrospective shows how a public figure’s style can change with fashion while retaining recognizable elements. Across the examples Glamour selects, defined eyes and polished glamour recur, while hair length, eye-shadow colour and lipstick shift with the period and occasion. That makes the feature useful to readers looking for specific references rather than a single prescriptive trend.
Its value is also archival: the looks are tied to identifiable moments in Zeta-Jones’ career, from early UK television recognition to major film premieres and the Oscars. For readers revisiting those appearances, the decade-by-decade format connects beauty choices with career milestones. The article is an editorial style roundup, however, and does not establish how the looks influenced wider beauty trends.
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From Early Roles to Oscar Night
Zeta-Jones’ screen work provides the timeline for many of the retrospective’s examples. The source names The Darling Buds of May as an early breakthrough, followed by international attention for The Mask of Zorro. Her role in Chicago brought an Academy Award for Best Supporting Actress; Glamour links her 2003 Oscars appearance to a classic chignon, defined eyes and a red lip.
The supplied report groups looks by decade rather than giving a full biography or a complete chronology. It begins with the 1990s, then covers selected appearances in the 2000s before opening a 2010s section that mentions films including Rock of Ages, Playing for Keeps, Red 2 and Dad’s Army. The source excerpt provided here stops partway through that section.
““Defined eyes have always been a trademark of CZJ.””
— Glamour UK
The Later-Decade Record Is Incomplete
The source material supplied for this article ends shortly after the retrospective begins its 2010s section. It does not provide the rest of that decade’s examples or any detail about the 2020s, despite its introduction referring to Zeta-Jones’ more recent work. The article’s publication date is also not included in the supplied material.
The retrospective offers Glamour UK’s selection of favourite looks, not a comprehensive archive, and it does not include direct comments from Zeta-Jones about her beauty choices. The source also does not give product details, tutorials, or independent evidence for its broader description of her influence on trends.
Further Looks Await the Full Feature
The next step for readers seeking the complete decade-by-decade roundup is to consult the full Glamour UK feature, which may contain the omitted later sections and accompanying photographs. Based on the supplied excerpt, no forthcoming announcement, interview or separate event is reported; this is a published editorial retrospective rather than a developing news event.
Until the full text is available, the confirmed scope here is limited to the selected looks described for the 1990s and 2000s, plus the opening of a 2010s section. Any account of later looks or the feature’s publication timing would need to be checked against the complete article.
Key Questions
What did Glamour UK publish?
It published a retrospective of Catherine Zeta-Jones’ beauty looks, arranged by decade and illustrated in the original feature with images of public appearances and campaigns.
Which looks from the 1990s does the supplied report mention?
Examples include curled hair and a red lip in the video for For All Time, face-framing layers at the 1997 Men in Black premiere, and a low bun with smoky eye makeup at the 1998 Mask of Zorro premiere.
What was Zeta-Jones’ look at the 2003 Oscars?
According to Glamour UK, she wore a low, centre-parted chignon, defined eyes and a brick-red lip when she won Best Supporting Actress for Chicago.
Does the supplied article cover her most recent looks?
Not in the excerpt provided. It starts a section on the 2010s but cuts off before detailing those looks, and it contains no specific examples from the 2020s.
Source: rss
